“Furniture of the Mind Rearranging” (WeJazz Records WJLP70) Album art and design by Matti Neves. Released July, 2024.
“Chant” (Shifting Paradigm 143). Album art and design by Marine Tempels Black. Released February, 2019.
“A Held Space” (Woolgathering 012). Album art and design by Marine Tempels Black. Released November, 2020.
“Mandala” (Shifting Paradigm 127). Album art and design by Marine Tempels Black. Released August, 2017.
Black Diamond
Black Diamond thrives on the chemistry and compositions of saxophonists Artie Black and Hunter Diamond. They met while studying under David Baker and Tom Walsh at Indiana University. A mutual admiration for the collaborative recordings of saxophonists Lee Konitz and Warne Marsh led them to experiment with their own two-tenor palette, and it quickly became apparent that the variance in their tonal and stylistic approaches created a captivating sense of balance. This dynamic has allowed them the unique compositional opportunity to write for the group in a way that is both deeply personal and instrumentally uncommon.
“Furniture Of the Mind Rearranging” (We Jazz Records, 2024) is an assemblage of new compositions and improvisations that develop the band's established sound and exemplify the way in which this band folds into the Chicago creative music community. The quartet traverses their familiar aesthetic ranges between driving off-kilter groove, plaintive minimalism, and intimate chamber music, with the ever-present spirit of small-group jazz and a hovering influence of Chicago’s improvised music culture. And while this collection represents three previous albums and more than a decade of close kinship and artistic evolution between co-leaders Black and Diamond, neither are too precious about any one element on the album. This is very simply the latest work in what continues to be an expanding body work founded on a guiding principle: cultivation without expectation.
For more information including performances, digital content, and news, please make a visit to the Black Diamond wesbsite.
Credit: Ricardo Adame
keep up with the latest Black Diamond concerts and appearances on our socials:
Flesh of Fruit
photograph: Derrick Alexander
Flesh of Fruit is the debut collaboration from Chicago sound artists Hunter Diamond and Allen Moore. Free improvisation and experimental electronics converge, creating a sound collage equally at home in a free jazz club, art gallery, or underground noise show. With an array of woodwinds, drums, percussion, samplers, turntables, and electronics, Flesh of Fruit taps into a crackling nostalgic space full of hazy memories, frenetic dreams, and ardent yearnings.
Hunter Diamond – woodwinds, drums, percussion, sampler, electronics
Allen Moore – hand-casted records, turntable, electronics
gelatin plate print, 2024
Unsettling
This new work for tenor saxophone, violin, cello, and electronics offers current sound and comment on Israel from the perspective of an American Jew. Inspiration is taken from contemporary Israeli writers who seek to hold Israel to account for its immense transgressions without devaluing its enormous accomplishments. In this work and in my relationship to the state of Israel, the American Jews and non-Jews of my community, and to the Jewish members of my family, one tactic has continuously proved most helpful in maintaining a sustainable position: holding contradiction.
Hunter Diamond - saxophone, sampler
Dan Galat - violin
Kelly Quesada - cello
Unsettling was commissioned by Chicago third stream ensemble The Missing Piece. It will premiere at Constellation in Chicago on March 16th as part of their ongoing contemporary classical program The Frequency Series. It was also be performed in New Orleans at the New Marigny Opera House in October 2025.
Recording Residency at Bordel Chicago 2020 (incomplete due to pandemic).
Metal & Wood
Several years in the making, this series of improvised Saxophone & Drum duo recordings will be released over the course of 2021 and 2022. Recorded in a variety of locations throughout Chicago and New Orleans, each recording features a different drummer.
This context is an element of my development that allows for maximum personal growth. The ultimate goal of this investigation is to reveal more of my identity as an improvisor and artist by stripping down the instrumentation and inviting variations of style, aesthetic, and personality as my partners rotate in and out. But, listening to the records is a vitally important part of the process. Being aware of the ways that this has been done before, and being receptive to that influence as I'm developing my own way is crucial to my ability to build and test my own approach.
Inspired by the fertile improvised music community in Chicago, and the power of the saxophone-drum set combination famously explored by John Coltrane & Rashied Ali/Elvin Jones/Roy Haynes, Fred Anderson & Hamid Drake, Charles Lloyd & Billy Higgins, Dewey Redman & Ed Blackwell, and Bill McHenry & Andrew Cyrille, and many others.
Dessous Dessus
This project combines acoustic and electronic sounds to invert the relationship between composed and improvised material - we play improvised music, and when, or if the moments arise, we perform from a book of original chamber compositions with treatments fully subject to the atmosphere of the moment.
Katinka Kleijn - cello, electronics
Jason Roebke - acoustic bass, electronics
Hunter Diamond - winds, percussion, electronics
credit: Ricardo Adame
Strange Frontiers
Strange Frontiers is both the title of this group and of my father's 2015 book of poems released by CreateSpace Independent Publishing Company. Eric Diamond is a clinical psychologist, musician, songwriter, poet, Jewish mystic, and a new age healer committed to constructing a widespread social understanding of positive masculine identities.
Inspired by my father's writings, I’ve set his poems with a series compositions that draw from chamber, jazz, and improvised musical traditions. Allowing his wisdom and lively spirit to influence each performance, I recite and sing the poems, as well as provide percussive and instrumental textures with Berber and porcelain flutes, clarinet, saxophone, and various singing bowls and chimes.
With the support of the Luminarts Cultural Foundation's special artist grant program, Strange Frontiers will document the material on record in 2023.
Herbsaint
The Herbsaint Band is a traditional jazz quartet that features the music of New Orleans master musicians Sidney Bechet, Louis Armstrong, Johnny Dodds, and more. The group came together specifically during the development of the "Got You Some" New Orleans party series, created by myself and chef Chris Reed. For this project, I play the clarinet, drums, and sing, with the aim of capturing the sonic spirit of the crescent city at the turn of the 20th century.
Photo: Sam Lewis